Weaves & Prints of India (State-wise)
|
State / UT |
Famous
Weaves / Prints |
Detail |
|
Andhra
Pradesh |
Pochampally
Ikat, Venkatagiri, Uppada, Narayanpet |
Pochampally =
tie-dye ikat silk; Venkatagiri = lightweight cotton/silk with zari; Uppada =
jamdani-style floral motifs; Narayanpet = striped borders and checks. |
|
Arunachal
Pradesh |
Adi, Apatani,
Wancho Weaves |
Woven on
backstrap looms, bright stripes, geometric tribal patterns. |
|
Assam |
Muga Silk,
Eri Silk, Mekhela Chador, Sualkuchi Weaves |
Golden Muga
silk; Eri as ahimsa silk; Mekhela chador as traditional attire; Sualkuchi
called “Manchester of East.” |
|
Bihar |
Tussar Silk,
Madhubani Prints |
Tussar =
textured golden silk, tribal motifs; Madhubani = folk painting often
transferred to fabric. |
|
Chhattisgarh |
Kosa Silk,
Tussar, Bastar Dhokra-inspired Weaves |
Kosa = local
variety of tussar; tribal motifs dominate. |
|
Delhi |
Bagru, Ajrakh
(migrant crafts) |
Not
indigenous, but migrant weavers bring block-prints from Rajasthan/Gujarat. |
|
Goa |
Kunbi Weave |
Red-check
patterned sari, traditional of Kunbi tribe. |
|
Gujarat |
Patola
(double ikat), Mashru, Ajrakh, Tangaliya, Bhujodi |
Patola = rare
double ikat; Mashru = silk-cotton; Ajrakh = resist-dyed block prints;
Tangaliya = bead effect extra-weft; Bhujodi = earthy shawls. |
|
Haryana |
Panja
Dhurrie, Khes Weaves |
Panja dhurrie
= geometric flat-woven rugs; Khes = thick cotton blankets. |
|
Himachal
Pradesh |
Kullu Shawl,
Chamba Rumal |
Woollen
shawls with bold borders; Chamba rumal = embroidered narrative cloths. |
|
Jharkhand |
Tussar Silk,
Tribal Weaves |
Golden,
textured silk often eco-dyed with tribal motifs. |
|
Jammu
& Kashmir |
Pashmina,
Kani Shawl, Namda Rugs |
Pashmina =
fine goat wool; Kani = twill tapestry shawl; Namda = felted wool rugs with
embroidery. |
|
Karnataka |
Ilkal,
Molakalmuru, Kasuti Embroidery |
Ilkal =
cotton-silk with red pallus; Molakalmuru = richly patterned silks; Kasuti =
counted-thread embroidery on saris. |
|
Kerala |
Kasavu,
Balaramapuram Handloom |
White cotton
sari with golden zari, worn during Onam. |
|
Madhya
Pradesh |
Chanderi,
Maheshwari |
Chanderi =
sheer silk-cotton with motifs; Maheshwari = reversible borders and stripes. |
|
Maharashtra |
Paithani,
Himroo, Narayan Peth, Mashru |
Paithani =
peacock motifs in zari; Himroo = Persian-inspired jacquards; Narayan Peth =
temple borders. |
|
Manipur |
Moirangphee,
Leirum, Phanek |
Traditional
handloom textiles with bright stripes and motifs. |
|
Meghalaya |
Eri Silk,
Dakmanda (Garo tribe weave) |
Dakmanda =
woven skirts with geometric borders. |
|
Mizoram |
Puan Weave |
Striped
cotton cloth in vibrant colors, worn as wrap. |
|
Nagaland |
Naga Shawls
(Ao, Angami, Chakhesang, etc.) |
Each tribe
has distinctive shawl with symbolic stripes/figures. |
|
Odisha |
Sambalpuri
Ikat, Bomkai, Berhampuri Pata |
Ikat with
motifs like shankha, chakra; Bomkai = temple borders; Berhampuri = temple
sari weave. |
|
Punjab |
Phulkari
Embroidery, Bagh |
Floral
embroidery on odhnis, Bagh = dense coverage version. |
|
Rajasthan |
Kota Doria,
Sanganeri Print, Bagru Print, Leheriya |
Kota = khat
checks; Sanganeri/Bagru = block printing; Leheriya = tie-dye in wave
patterns. |
|
Sikkim |
Lepcha Weave |
Backstrap
loom weave, striped and geometric designs. |
|
Tamil Nadu |
Kanchipuram,
Madurai Sungudi, Chettinad Cotton |
Kanchipuram =
temple-bordered silks; Sungudi = tie-dye with dotted patterns; Chettinad =
bold checks/stripes. |
|
Telangana |
Gadwal,
Pochampally Ikat, Puttapaka Telia Rumal |
Gadwal =
cotton body with silk border; Pochampally = ikat diamonds; Puttapaka =
red-black-white ikats. |
|
Tripura |
Risa, Riha,
Pachhra |
Traditional
tribal weaves in bright red and black. |
|
Uttar
Pradesh |
Banarasi
Brocade, Chikankari Embroidery, Jamdani |
Banarasi =
zari-rich silk; Chikan = delicate white embroidery; Jamdani weaving
traditions exist. |
|
Uttarakhand |
Pashmina
Variants, Kumaoni Wool Weaves |
Woolen shawls
and blankets with simple geometric borders. |
|
West
Bengal |
Baluchari,
Tant, Jamdani, Kantha Embroidery, Shantipuri |
Baluchari =
narrative myth saris; Tant = crisp cottons; Jamdani = fine muslin motifs;
Kantha = quilted running stitch. |
|
Andaman
& Nicobar |
Tribal Cane
& Cotton Weaves |
Small-scale
weaving with tribal motifs and cane-fiber craft. |
|
Chandigarh |
Migrant
Weaves (Phulkari from Punjab, Himachali Shawls) |
Crafts
practiced by migrant weavers. |
|
Ladakh
(UT) |
Pashmina, Yak
Wool Weaves |
Thick woolens
for cold climate, patterned in natural shades. |
Weave, Warp, and Weft — Basics of Handloom & Textiles
1. Weave
-
Definition: The pattern or structure created when warp and weft threads are interlaced at right angles.
-
Explanation: Think of it as the “fabric design” formed by how threads cross each other.
-
Types:
-
Plain Weave – simplest criss-cross (like a checkerboard).
-
Twill Weave – diagonal lines (as in denim).
-
Satin Weave – smooth, lustrous surface with floating threads.
-
2. Warp
-
Definition: The set of lengthwise threads that are fixed on the loom before weaving begins.
-
Explanation: Warp threads are like the foundation of the fabric – stretched tight and kept stationary.
-
Key Point: They run parallel to the length of the fabric (selvage to selvage).
3. Weft
-
Definition: The crosswise threads that are inserted over and under the warp threads during weaving.
-
Explanation: Weft threads move back and forth, interlacing with the warp to create the cloth.
-
Key Point: They run horizontally, across the width of the fabric.
💡 Quick Visual Analogy:
-
Warp = vertical strings of a harp 🎵
-
Weft = fingers moving sideways across them to make music 🎶
-
Weave = the melody (the final cloth).
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